“I realised was not something you were supposed to watch, it was something you were supposed to do,” she told Biba Kopf in 2003 ( The Wire 234).Īunt Sally split up in 1979, since when Phew has followed her own ways. Her other projects include the electronics and voice duo Big Picture with Hiroyuki Nagashima.Four decades after seeing The Sex Pistols inspired her to form her own punk group Aunt Sally in 1977, the legendary Japanese singer Phew is set to make her London debut. In Japan she has made a series of acclaimed records under her own name, or leading bands such as Novo Tono and her contemporary punk group Most. These international albums are of a piece with Phew’s career as a performing and recording artist. And in 2011, she and Erika Kobayashi formed Project UNDARK to record the texts of Radium Girls with music by the late Dieter Moebius, of Cluster. She returned to Conny’s studio to make Our Likeness (released by Mute in 1992) with Jaki Liebezeit, former DAF/Liaisons Dangereuses member Chrislo Haas, Einstürzende Neubauten’s Alexander Hacke, and their ex-Crime And The City Solution colleague Thomas Stern. In 1981 she travelled to West Germany to make her debut solo album Phew at legendary producer Conny Plank’s studio near Cologne, accompanied by Plank, and Can’s Holger Czukay and Jaki Liebezeit. A year later Phew released her debut solo single “Finale”/“Urahara”, produced by Ryuichi Sakamoto. Aunt Sally split up shortly after releasing their self-titled album in 1979. In 1978 Phew started out as the singer in Aunt Sally, the Osaka punk group she formed after exposure to The Sex Pistols infected her with punk’s self-belief that music was all about doing it yourself. Including “Finale 2015”, her remake of her 1980 debut single “Finale”, it turned the Phew story full circle, even as it moved it onto her current phase.īut we’re getting ahead of ourselves. In 2015 she released her first almost entirely solo-driven CD, aptly titled A New World, on the Japanese label Felicity featuring nine songs backed by herself on electronics and drum machine, with contributions from Deerhoof guitarist John Dieterich, and synthesizer/electronics player Hiroyuki Nagashima, among others. Indeed, since her 2013 conversion to analogue electronics Phew has continued evolving her live solo project around the world, charting her progress in a series of self-released CD-Rs sold at her concerts. With the 2017–18 international release of her album Voice Hardcore (on her own BeReKet and New York’s Mesh-Key labels) legendary Japanese musician Phew consolidated her binary interests as vocal performer and, latterly, analogue electronics improviser. Having toured Asia and Europe numerous times and appearing in wide range of prominent international festivals such as Berlin Atonal, rural, Fibre, Mapping and Sun and Bass in the past few years, he is establishing himself as a singular performer fitted to deliver a primetime rave set to a gritty basement fix to abstracted sonic experiments His expert music selection and technical excellence continues to impress the audience in and outside of Japan. Uncompromising, forward thinking and unique, his releases on 7even Recordings, Horo and Latency brought international attention and have led to collaborations with likeminded virtuosos such as Felix K and Rashad Becker which were both invited to perform on the main stage of Berlin Atonal festival (in 20 respectively.) Taking influences from early drum & bass productions, rave sound and abstract hip hop, ENA is recognized for his tight production techniques and massive audio dynamics. He is a major player in the Japanese underground dance music scene for more than a decade. ENA is a music producer from and based in Tokyo.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |